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・ Ilya Andreyevich Tolstoy
・ Ilya Antonovsky
・ Ilya Antropov
・ Ilya Averbakh
・ Ilya Bannov
・ Ilya Batrakov
・ Ilya Baulchev
・ Ilya Belous
・ Ilya Belousov
・ Ilya Belyaev
・ Ilya Belyakov
・ Ilya Berezhnykh
・ Ilya Bogdanov
・ Ilya Boldinsky
・ Ilya Bolotowsky
Ilya Bondarenko
・ Ilya Bondarenko (speedway rider)
・ Ilya Borisov
・ Ilya Borodin
・ Ilya Brusnikin
・ Ilya Bryzgalov
・ Ilya Burov
・ Ilya Byakin
・ Ilya Chaiken
・ Ilya Chashnik
・ Ilya Chizhikov
・ Ilya Darevsky
・ Ilya Datunashvili
・ Ilya Davidenok
・ Ilya Davydov


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Ilya Bondarenko : ウィキペディア英語版
Ilya Bondarenko

Ilya Yevgrafovich Bondarenko ((ロシア語:Илья Евграфович Бондаренко); 1867–1947) was a Russian-Soviet architect, historian and preservationist, notable for developing a particular style of Old Believers architecture in 1905-1917, blending Northern Russian revival with Art Nouveau.
==Education and early works==

Bondarenko trained at Moscow School of Painting, Sculpture and Architecture from 1887 to 1891 (class of Alexander Kaminsky), completing education at the Zurich Polytechnikum in 1894 and Fyodor Schechtel firm (1895–1896). He travelled within Russia throughout the 1890s, studying traditional architecture of the North and Volga regions.
He was associated with Savva Mamontov-sponsored group of artists and Abramtsevo Colony; these connections helped him secure his first major project - Russian Crafts pavilions at the Exposition Universelle (1900) in Paris, in partnership with Konstantin Korovin. Later, Bondarenko would rely on Abramtsevo ceramics in most of his works. He was well skilled in Art Nouveau interior design, taking part in Ivan Fomin's 1902 Art Nouveau exhibition. His style, influenced by Victor Vasnetsov and contemporary work of Sergey Solovyov, is a direct development of Abramtsevo school, yet with unique touch of austere Old Believers traditions and a deep first-hand knowledge of Pskov and Novgorod relics.

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